Blinken Pressed on Biden's Flow of Aid to Palestinian Terrorists
Argentina's Javier Milei Is Draining the Swamp
ABC News Host Seems to Forget This Crucial Detail About the Israeli...
Progressive Reporter Highlights How Steve Bannon's Conviction Is Abnormal
This Reporter Had the Perfect Response to the Leftist Lunacy Over Israel’s Hostage...
The Latest Inflation Report Is More Bad News for Bidenomics
Police Department's Message to Beachgoers Concerning Rampant Theft Raises Eyebrows
Here's How AOC and Raskin Plan to Start Holding the Supreme Court 'Accountable'
An Unlikely Leftist Figure Slams the Secret Recordings of SCOTUS Justices
Here's What Senate Foreign Relations Committee Ranking Member Risch Is Willing to Do...
The Coast Guard Intercepted Hundreds of Illegal Aliens Bound for the U.S.
What's Going on at 538?
Prior to Arrests, Guess How These ISIS Terror Suspects Entered America?
Can Republican Nominee Sam Brown Emerge Victorious in Key 'Toss-Up' Senate Race?
Amateur Hour at the White House

'Confirmation' -- HBO's High-Tech Lynching

The opinions expressed by columnists are their own and do not necessarily represent the views of
The left is masterful at rewriting history. Witness HBO's TV movie "Confirmation," which aired Saturday, about Anita Hill's accusations of sexual harassment 25 years ago, which almost derailed Clarence Thomas from becoming a Supreme Court justice. The drama's makers claim that they didn't take sides in depicting Thomas' Senate confirmation hearings, even as a trailer punctuates close-ups of actress Kerry Washington, who played Hill, with stentorian capital letters: "It only takes one voice ... to change history." Another trailer proclaims, "One woman made a choice ... to take a stand."

Apparently, because HBO didn't expressly label Thomas as guilty, producers feel they can get away with saying they were evenhanded. One man (Thomas) made a choice and took a stand; where are his plaudits?

"The movie only has credibility if it's not espousing one point of view or presenting only one side," "Confirmation" screenwriter Susannah Grant said in The Washington Post. OK, then it has no credibility. "Confirmation" airbrushed out events that do not confirm the left's revisionist view on the Thomas hearings.

A number of former female staffers who worked for Thomas at the Equal Employment Opportunity Commission -- J.C. Alvarez, Phyllis Berry, Nancy Fitch and Diane Holt -- testified that they did not believe Hill's charge that Thomas sexually harassed her and discussed pornographic films at work. Their spirited defense of Thomas was the stuff of drama. But rather than build momentum to a peak of their riveting testimony, "Confirmation" showed a quickie montage of former colleagues defending Thomas. That choice undercut the forcefulness of the women's spirited defense of Thomas.


Stuart Taylor Jr., who covered the 1991 hearings, wrote in The Wall Street Journal that "Confirmation" also left out Hill's hard-to-believe story that she followed Thomas from the Department of Education to the EEOC because she feared losing her job. (As an attorney, she had to know she had civil service protection.) The movie also focused on an accuser who chose not to testify.

Then there's Ted Kennedy, the embodiment of the left's double standards. A member of the Senate Judiciary Committee, the late senator had a reputation for hitting on women in the workplace liberally. In "Confirmation," Kennedy aide Ricki Seidman acknowledges her boss might have a problem leading the fight on "sexual impropriety."

There was no scene in which Seidman pressed Kennedy about his opportunistic treatment of women. Likewise, there was no recognition that when Bill Clinton entered the Oval Office a year later, sexual harassment lost its potency as a political weapon. Female aides' willingness to prop up errant male Democrats -- that phenomenon did not interest the "Confirmation" team, which stuck to a script that confirmed liberalism's need to be heroic, especially when liberals are anything but.


Real life didn't work that way. After the hearings and what Thomas described as a "high-tech lynching," a New York Times/CBS poll found that Americans who lived through the controversy believed Thomas over Hill by a 2-1 margin. So HBO did a rewrite -- and produced a movie that left the women who stood up for Thomas on the cutting room floor. In Hollywood, that's a happy ending.

Join the conversation as a VIP Member


Trending on Townhall Videos