As black critics of President Obama are being told to shut up and ignore the facts out of "racial loyalty," black critics of Herman Cain are enjoying mainstream amplification in the pages of the New York Times and Time Magazine. Someone who calls himself "Toure" has written an especially vicious column about the current GOP frontrunner for Time's website. A sample:
This presidential election has not lacked for clowns, and in a circus Herman Cain fits right in. But as the Black clown, Cain’s foot-in-mouth moments mostly involve insulting the Black community. This could be to establish his independence from the community in order to earn his bona fides with the GOP electorate or a way of appeasing the white conservatives he’s courting. Or it could be that his foot and his mouth are magnetized. Whatever the reason, as a Black person, the Hermanator experience has been as distasteful as rancid, spoiled, stinky, curdled milk....
Cain is a clown. You see it in the way he constantly mollifies white audiences with self-effacing, racialized comedy that borders on minstrelsy (referring to himself as “black-walnut ice cream” or suggesting that the Secret Service call him “Cornbread”). You see it in his stunning gaps in knowledge and understanding of foreign policy and domestic affairs. He says if you don’t have a job, don’t blame Wall Street, because it’s your fault, which in a crippling recession with historically high unemployment numbers means he’s either frighteningly blind or offensively ignorant. This is not a man of serious intellect or realistic solutions or admirable character. This is a buffoon.
Cain is what I long imagined the first Black President would be like: a Republican who many Blacks find unctuous. But is he really the most unctuous Black man in America? I’d say it’s a race between Clarence Thomas, Flavor-Flav and the Hermanator, and if Cain isn’t No. 1, he’s no worse than tied.
Guy Benson is Townhall.com's Political Editor. Follow him on Twitter @guypbenson. He is co-authors with Mary Katharine Ham for their new book End of Discussion: How the Left's Outrage Industry Shuts Down Debate, Manipulates Voters, and Makes America Less Free (and Fun).
Author Photo credit: Jensen Sutta Photography
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