It’s difficult to dislike Clint Eastwood. He’s an excellent director and a fine actor, who is openly conservative in a town that often disdains them. Many of Eastwood’s films have avoided politics but his new film “J. Edgar” will likely open up a political debate because of its depiction of J. Edgar Hoover, the long-serving former director of the FBI.
The film begins by showing Hoover- played throughout the years by Leonardo DiCaprio- recounting his early memories to a young writer. He's near the end of his career and wants to tell his side of the story. The film then flashes back to his early memories and shows why Hoover became such an adamant opponent of Communism. At this point, the film goes beyond the caricatures and tries to create a compelling and interesting main character whose ambition seems limitless.
The story eventually shows Hoover’s early rise in the FBI and how his personal charisma led him to achieve success and acclaim. Of particular note is Hoover’s early support for finger-printing, which was often mocked and derided at the time. Hoover also plays a role in the investigation into the disappearance of the Lindberg baby, who was kidnapped in the early 1930’s. When the film focuses on such historical events and Hoover’s fervent anti-Communism, it succeeds admirably.
Unfortunately, the historic narrative is eventually overshadowed by a gay love story involving Hoover and his longtime FBI aide, Cyde Tolson (Armie Hammer). The film goes from being a historical biopic into a story focused on the rumors between Hoover and Tolson. Such a forbidden relationship eventually consumes the rest of the narrative, leaving some of the more interesting and controversial aspects of Hoover’s career behind.
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