This City Councilman Turned a $50K Deal Into a Personal Payday. Now He's...
Meet the Conservative Outsider Who Wants to Bring Common Sense Back to His...
How This Small-Town Police Force Became a 'Criminal Organization'
Iranian Regime's Latest Move Shows How Desperate It Has Become
House Republicans Want to Know Why Ilhan Omar's Income Jumped by 140 Times...
If 'The Only Thing More Powerful Than Hate Is Love' Democrats Missed the...
Elites Did Their Part to Fight Global Warming by Flying Dozens of Private...
Historic: U.S. Marks Ninth Month With Zero Releases at the Border
'Brass-Knuckled Hypocrisy:' Even the Washington Post Is Slamming Virginia Democrats' Redis...
Harry Sisson Refuses to House Illegals in His Home, And Claims ICE Agent...
Critics Blast Katie Porter's Pre Super Bowl X Post As She Tries to...
Here Is the Real Reason Bad Bunny Is Anti-American
We Didn't Think Progressives Could Make LA Any Worse, but They Can
Jasmine Crockett Might Be Running the Most Incompetent Campaign in History
WaPo Claims That Bad Bunny's Profane Performance Represented 'Wholesome Family Values'
OPINION

Where Have All the Moguls Gone?

The opinions expressed by columnists are their own and do not necessarily represent the views of Townhall.com.

For several years, I have marveled at the arrogance that Hollywood has displayed towards its customers. Or, perhaps, I should say potential customers or even ex-customers. Why, I’ve been asking myself, have they insisted on churning out one movie after another about lowlife drug addicts? The only druggie movie I can think of that made money was “The Man With the Golden Arm,” back in 1955, and that was based on a best-selling novel and starred Frank Sinatra and Kim Novak.

Advertisement

Lately, they’ve added a second genre that has proven equally unprofitable. I refer to war movies that present the American military in a bad light. No sooner, it seems, does “In the Valley of Elah” bomb at the box office than Hollywood rolls out “Redacted.” Even the titles they stick on these turkeys seem to have no other purpose than to keep audiences as far away as possible.

Unless these movies are simply some accountant’s madcap idea of a tax shelter, I can not imagine why they keep producing them. Perhaps red ink has become Tinsel Town’s version of the red badge of courage.

In the old days, Hollywood was run by a bunch of tough cookies who kept one eye on the starlets and one eye on the bottom line. These days, it appears as if the movies are in the hands of bozos who think there’s something tacky about making movies that actually turn a profit.

Still, there’s another group that makes these guys look like hard-headed businessmen. I refer to those people who own newspapers. The way they carry on, you’d think their names were Groucho, Chico, Harpo and Gummo.

Thanks to all the many incarnations of Hecht and MacArthur’s “Front Page,” we’ve always known that reporters were fast-talking, hard-drinking, irresponsible double-dealers who’d run over their own grannies to get a scoop. But their bosses, the lords of the fourth estate, appeared to be a collection of sober-sided capitalists who could read a profit-and-loss statement even if they were sitting in a cave during a solar eclipse.

Advertisement

That, however, is no longer the case. And while I have heard various theories as to why people are canceling their subscriptions, the main one being the Internet, I think there is yet another reason; namely, liberal bias.

People on the left, even those who believe in Santa Claus and the Easter Bunny, deny that liberal bias even exists. That’s because they believe everything they read in the New York Times and the Washington Post, everything they see on CNN and WSNBC, and every word uttered by Chris Matthews and Bill Maher. Once you accept that those institutions and individuals are dispensing objective truth, it stands to reason that only those at the opposite end of the political spectrum could possibly be slanting the news.

However, if you are a conservative and every time you pick up your daily newspaper, you find that everything you believe, not to mention all the things you hold dear, are being ridiculed not only on the editorial page, but throughout the entire paper, it shouldn’t surprise anyone that the day finally dawns when a lot of them are going to say, “Why am I paying for this bilge?”

The question that comes to mind is why a business, any business, would go out of its way to antagonize, depending on the city, between, say, 40 and 60% of its market. Is it possible that while my back was turned, the DNC bought up every paper in the country except for the Wall Street Journal and the Washington Times?

Advertisement

Living in Los Angeles, as I have for the past 60-odd years, I’ve seen the L.A. Times bury one competitor after another. But ever since 2000, the paper has been slowly bleeding to death. In a desperate attempt to keep breathing, the paper has fired scores of employees and amputated entire sections. They’ve done virtually everything except try to put out a newspaper that doesn’t resemble one of James Carville’s wet dreams.

While I have no doubt that many of the 300,000 former subscribers simply decided there were cheaper, more convenient, ways to get the news, I happen to personally know that a good many left because of the paper’s relentless bashing of conservatives.

Even the letters to the editor are slanted. Rarely will they run a letter that disagrees with their editorial position. In fact, if you’re dying to see your name in the paper, all you have to do is attack George Bush or the war in Iraq. The Times will celebrate a blue moon or hell’s freezing over by publishing an op-ed piece by a conservative, but they absolutely draw the line at publishing a letter in praise of it. In fact, one could easily get the idea that Max Boot and Jonah Goldberg serve the same role as those poor saps at the amusement park who stick their heads through a hole in the wall so that the paying customers can bonk them in the noggin with baseballs.

Advertisement

I wouldn’t want to give you the idea that my hometown newspaper is entirely heartless when it comes to right-wingers. In fact, just recently, I had occasion to write the following letter to the editor: “First it was William F. Buckley who got a terrific, extremely respectful, front page sendoff. Today, it was Charlton Heston’s turn. Clearly, all a conservative has to do in order to get his just deserts from the L.A. Times is to die on a slow news day.”

Join the conversation as a VIP Member

Recommended

Trending on Townhall Videos

Advertisement
Advertisement
Advertisement