Brent Bozell
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That sleazy yet hallowed HBO television series "Sex and the City" is now in theaters as a feature film, and the cultural elites are having a religious experience. Newsweek previewed the movie by reporting how an estimated 50,000 people, some from faraway lands like Australia and Japan, "make the pilgrimage each year to the shrine," the fictional New York City home of "Sex" protagonist Carrie Bradshaw. The magazine chronicled a tour group standing silently, some weeping.

Am I the only one who thinks that those estimated 50,000 people out there make the Trekkies look sane by comparison? But Newsweek seems to lament how the movie isn't outrageous enough. The headline is "Girls Gone Mild," and the trailer is all about our protagonist getting married -- maybe. Writer Julia Baird was amazed at "how many people speak of it in hyperbolic terms: as a revolution, a phenomenon, a cataclysm, almost an insurgency."

"Almost an insurgency"? I'm starting to believe Ms. Baird is one of those 50,000 people out there.

Plopping this series at the cineplex with an R-rating is certainly a more appropriate venue than landing it on HBO or TBS. But the movie has set the media critics off on another wave of tributes to the TV show for glamorizing independent career women with minds of their own, fashionable women who were selfish and sexually adventurous, but still ladylike enough to lust also after $600 designer shoes. It was touted as sparking openness and candor, as if what America needs is more women talking openly about flatulence and pubic hair. The trailer includes jokes about crotch-shaving. How bold.

What this feminist phenomenon didn't have and didn't need, apparently, was a woman who would choose to marry young. That looked like the frightening side of the fence, a prison wall. That didn't seem like a decision at all. It wasn't so much a choice as a surrender to servitude. The series could have been called "Sex and the Skittish" for all the phobias about the boredom and lost independence of married life.

Certainly the sexual revolution had come and gone long before this show premiered on HBO in 1998, and that year is remembered more for a baby-boomer sex scandal in the White House than the sexual insurgency on pay-cable TV. But that doesn't mean "Sex and the City" wasn't tearing down walls of convention for the young people who weren't around for Woodstock.

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Brent Bozell

Founder and President of the Media Research Center, Brent Bozell runs the largest media watchdog organization in America.
 
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