This Outlet Went Nuts Over the Trump White House Wishing Americans a Merry...
Brigitte Bardot Was Right About Islam
Iconic French Actress and Activist Brigitte Bardot Dead at 91
2026: The Elevation Principle
A Quick Bible Study Vol. 300: Praise God for 300! It Began Because...
Here's What Happened at Trump's Russian-Ukraine Peace Deal Presser
Justice Department Reaches Proposed Settlement With Blackstone-Owned LivCor in Rent-Price...
FBI Teases Denaturalizing, Deporting Eligible Minnesota Fraudsters
Alleged MS-13 Member Released by Activist Judge Becomes a TikToker
Five Indicted on Federal Gun Trafficking Charges in Chicago
Florida Man Wielding Salvation Army Donation Kettle Attacks Store Manager
Social Media Exposé Draws Global Attention While Minnesota Media Look Away
Three Honduran Nationals Sentenced in Multi-State Bank Fraud Conspiracy
Iranian President: 'We Are in a Full-Scale War' With the West
Minnesota Gov. Tim Walz Posts Picture of Cat After Billions of Fraud Exposed
Tipsheet

Woke Is Alive and Well at Kent State University

AP Photo/Lynne Sladky, File

In case you were wondering whether DEI nonsense had died on college campuses, we regret to inform you that it hasn't. At Ohio's Kent State University, the school has enacted policies that discriminate against white students in the music program, in the name of preventing "cultural appropriation." 

Advertisement

First, the school's a capella group has banned white students from solo auditions.

Here's more from Campus Reform:

An a cappella group at Kent State University in Ohio allegedly banned white students from auditioning for certain solos and disciplined a longtime member for questioning the race-based policy.

Emails obtained by Campus Reform display how Vocal Intensity A Cappella limited certain solos to “people of color,” claiming white students would be engaging in “cultural appropriation” if they were to perform them.

Mark Phillips, a three-year member and the a cappella group’s beatboxer, contacted a board member to inquire about how the exclusion of white students aligned with Kent State’s anti-discrimination policies. Phillips suggested the limitation seemed “at odds with equal opportunity” in his message to the executive board.

“I fully respect concerns about authenticity, but I also believe that whoever gives the strongest performance should be given the chance,” he wrote. “Art, music, and culture are meant to be shared and celebrated, not gatekept.” 

In response, the board accused him of violating the university’s anti-discrimination policy, placed him on probation, and scheduled a disciplinary hearing requiring him to “plead his case” before the entire group.

Advertisement

That's a violation of Title VI of the Civil Rights Act and discriminatory on its face. 

The prohibition also means white students can't use music by minority artists, citing "cultural appropriation" concerns.

Does that mean minority students will be prohibited from performing a piece by Mozart or Beethoven? Those are white composers, and it would be "cultural appropriation" for a black student to use those works in their audition, no?

The rule doesn't apply both ways, we fear.

That's the only way to do this, and Congress should act.

Advertisement

That's a fair question. Dolly Parton wrote that song, and she's white. Whitney Houston's version is, arguably, the most popular cover of that song — by Diacon's logic, that's "cultural appropriation," isn't it? Would a white student be able to use that song to audition?

The mind reels at the insanity of these DEI policies.

Join the conversation as a VIP Member

Recommended

Trending on Townhall Videos

Advertisement
Advertisement
Advertisement