Last week's column was about something that doesn't exist -- a multi-level strategy to combat the advance of sharia (Islamic law) across the West.
The strategy doesn't exist because there's little understanding that the entrenchment of sharia in the Western zone poses a threat to liberty in the Western zone.
This understanding doesn't exist because the critique of sharia (a legal system best described as sacralized totalitarianism) required to devise a defensive anti-sharia strategy, is not considered possible.
Why not? The main obstacle is, well, the advance of sharia across the West. In other words, we cannot criticize the spread of sharia simply because sharia, or its influence, has spread. Thus, from Norway to New Haven, from BBC to Fox News, the reflex reaction to critical commentary -- even a newspaper page of political cartoons -- is to follow Islamic law and stop it (or try), or just shut up.
That's certainly what Yale University has done, as events beginning in August demonstrate. That's when news broke that Yale and Yale University Press were omitting the Danish Mohammed cartoons (and other Mohammed imagery) from a forthcoming book expressly about the Danish Mohammed cartoons.
This sudden act of censorship, Yale said, was due to fear of Muslim outrage over the Mohammed cartoons again turning into Muslim violence. (Roger Kimball, Stanley Kramer and I have laid out evidence that Yale's censorship was also due to fear of alienating Muslim donors.) This violence, along with general Muslim outrage, has its roots in Islamic legal prohibitions of life imagery, criticism of Mohammed and sarcasm about Islamic law -- all outlawed by the standard Al Ahzar University-approved sharia manual, Reliance of the Traveller, and all tools for the political cartoonist moved to comment on the connection between Mohammed and jihad violence. And why not? Indeed, Sheikh Yusuf al-Qaradawi, arguably the most influential Islamic cleric in the world, calls Mohammed "an epitome for religious warriors."
With its censorship of the Mohammed imagery, Yale chose sharia. But that wasn't all. Wearing my hat as vice president of the International Free Press Society (IFPS), I asked Yale's Steven Smith, master of Branford College, one of Yale's 12 residential colleges, if he would be interested in hosting Kurt Westergaard, the most famous of the Danish cartoonists, at a "master's tea" for students. The IFPS was then finalizing Westergaard's U.S. tour long-planned to coincide with the fourth anniversary of the publication of the cartoons on Sept. 30.
Smith agreed and held the event on Oct. 1. And Yale, it seems, will never be the same.
Of course, Yale was already "never the same," something the Westergaard visit further confirmed. If the Western reaction to the Danish Mohammed cartoons exposed the humiliating bargain the West had already made with Islam, trading away freedom of the press in exchange for "community harmony," the Yale reaction to Westergaard's visit following its censorship of the Mohammed cartoons exposed the rotten fruit at the core of American academia: namely, the politically correct drive to censor material "offensive" to multiculturalism mated to the sharia-correct drive to censor material "offensive" to Islam.
The lesson here? Free speech about Islam at Yale is a liability: something to censor, oppose, even remove physically, as symbolized by the administration's decision to bus students to the edge of campus to attend Westergaard's talk. Campus security -- bomb-sniffing dogs, two SWAT teams -- was so extreme it stood as a reproach to critics of Islam, and perhaps as justification for Yale's decision to censor the cartoons in the first place.
Having shrouded free speech in the Islamic veil, Yale stands exposed.