Michael Medved: No Market For Mauling The Middle Class
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November 2, 2017
“Suburbicon”—the prestigious new movie release from director George Clooney—features Matt Damon and Juliane Moore with a screenplay co-written by the Oscar-winning Coen brothers.
The film opened with high hopes on more than 2,000 screens, but proved to be a commercial disaster with just $2.8 million on opening weekend. Even more shocking, “Suburbicon” got a dismal D-minus grade from CinemaScore.
Why the negative response?
It’s billed as an expose of “white privilege”—depicting a fictional suburb in 1959 that reacts to its first black family with disgusting violence and bigotry., while highlighting corruption, adultery and murder by the seemingly bland middle-class family at the center of the dark comedy.
Actually, the public is tired of Hollywood plutocrats who look down on the hard-working, decent suburban lives that many citizens live, and loathes the condescending assumption that the American dream has become the American nightmare.
The film opened with high hopes on more than 2,000 screens, but proved to be a commercial disaster with just $2.8 million on opening weekend. Even more shocking, “Suburbicon” got a dismal D-minus grade from CinemaScore.
Why the negative response?
It’s billed as an expose of “white privilege”—depicting a fictional suburb in 1959 that reacts to its first black family with disgusting violence and bigotry., while highlighting corruption, adultery and murder by the seemingly bland middle-class family at the center of the dark comedy.
Actually, the public is tired of Hollywood plutocrats who look down on the hard-working, decent suburban lives that many citizens live, and loathes the condescending assumption that the American dream has become the American nightmare.
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