Brent Bozell

When we think of comic-book superheroes, most of us who grew up in the last century think of mild-mannered reporters, or perhaps urbane millionaires with a secret identity, who fight crime heroically. They collar the bad guys and deliver them to justice. Even the supervillains they'd fight always seemed to escape so they could resurface in a later issue, and the struggle of Good vs. Evil continues.

That is not what a customer will find if he makes the mistake of taking in the new movie crudely titled "Kick-Ass." The concept seems innocent enough -- teenage comic-book devotee with absolutely no powers puts on a goofy wetsuit and tries to be a hero. But that's just the first few minutes. What follows next is an entirely different movie, a gory slasher film, except the vigilante mass murderer is an 11-year-old girl in a costume that included a purple wig and a plaid private-school skirt. This little "Hit Girl" doesn't play by any moral rules, however. In her first mass-murder scene, she even double-spears a prostitute armed with only a broken booze bottle.

Is it any wonder that Hollywood and its cynical media surrogates loved this film and openly cheered for its success? Los Angeles Times writer Steve Zeitchik foresaw a massive sensation in this grotesque and wildly implausible sixth-grade Lizzie Borden scenario: "We rarely get in the business of predicting sensations, but it's hard not to feel that something is in the air ... Something bigger, that is, then even some of the pre-release hype suggests. And not just in the fanboy world, where it's of course already huge." So confident was he of his views that he predicted the "stylishly bloody" romp would spur a big opening weekend, and the film "would keep the cultural heat on long after."

Michelle Malkin

Times film critic Kenneth Turan agreed. "This shrewd mixture of slick comic-book mayhem, unmistakable sweetness and ear-splitting profanity is poised to be a popular culture phenomenon because of its exact sense of the fantasies of the young male fanboy population."

But that's not what happened at the box office. The "shrewd" people took a super-beating. The shock merchants ended up shocked. On the first weekend, it finished barely ahead of the family cartoon "How to Train Your Dragon," and then by the second weekend, it finished a distant fifth, behind the smash-hit dragon cartoon.

John Q. Public's reaction? The movie is pure junk.

Brent Bozell

Founder and President of the Media Research Center, Brent Bozell runs the largest media watchdog organization in America.
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