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Wednesday, May 20, 2009
Michael Medved :: Townhall.com Columnist
After Death Decadence
by Michael Medved
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It’s a sure sign of decadence when a society treats dead bodies with callousness, mocking cruelty, levity and disrespect.

A recent headline in the New York Times gave evidence of such degradation while suggesting the sort of outrageous parody best suited for “The Onion.”

“CADAVER SEX EXHIBITION IN GERMANY IS CRITICIZED,” noted America’s Journal of Record and then reported on the latest ground-breaking show by the acclaimed artist, Gunther von Haugen. Herr von Haugen previously inspired controversy with his display “Bodies: The Exhibition,” which toured the United States and featured skinned and preserved human remains. His new triumph, “The Cycle of Life,” features actual corpses posed and frozen forever in a variety of simulated sex acts. While some critics in Berlin complained of the exhibit’s “tastelessness,” von Haugen and his supporters insisted that they used only bodies (and body parts) that came from “voluntary donors.”

The notion that any human being would view his own earthly remains so casually that he (or she) would welcome their deployment before gawking strangers as skinned sex toys in an avant garde art exhibit represents an appalling affront to human dignity.

Meanwhile, another (though far less ghastly) fad in the display of corpses illustrates a similarly unhealthy attitude in our own civilization.

A Michigan businessman recently launched a company called “Eternal Image” which encourages customers to journey to the next world adorned with the logo of their favorite baseball team. “Our goal is to take everyday household-brand names and integrate the design into funeral products,” says Clint Mytych. “We want to celebrate a person’s life.”

To facilitate that celebration, Mr. Mytych offers licensed Major League funeral urns, resembling large ceramic jars of baked beans, in which the ashes of the deceased are sealed with a replica of a regulation baseball. The urn rests on its own home plate, complete with the authorized MLB logo, suggesting that the departed has successfully rounded the bases and finally scored in the great beyond, now resting, appropriately, safe at home.

“We have sold so many baseball urns because people just want it around the house – they feel nothing will better honor their loved ones,” declared Mr. Mytych, a life-long Detroit Tigers fan. He reports that the New York Yankees, Boston Red Sox and Chicago Cubs provide the decoration for the most popular urns (suggested price $799). This fall, Eternal Image will begin offering Major League Baseball caskets (starting at $4,500) for fans choosing to avoid cremation. “It’s really a beautiful thing,” Dan Biggins, co-director of a funeral home in Rockland, Massachusetts, told the Boston Globe.

It’s easy to understand how the invocation of the innocence, purity and timelessness of baseball (without disturbing reminders of A-Rod and Barry Bonds, one hopes) could lighten mournful occasions with gentle smiles, but even the most committed fan ought to question the eternal significance of his team loyalty. Sure, I love my Seattle Mariners (and I grew up as a generally heart-broken devotee of the Philadelphia Phillies), but I’d hardly want my life’s deepest significance defined in terms of these recreational enthusiasms. When the promoters of Major League Funeral Urns suggest that the bereaved feel “nothing will better honor their loved ones” than the corporate logo of a favorite commercial franchise, it seems to trivialize the earthly journey of the departed. Continued...

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About The Author
Michael Medved's daily syndicated radio talk show reaches one of the largest national audiences every weekday between 3 and 6 PM, Eastern Time. Michael Medved is the author of eleven books, including the bestsellers What Really Happened to the Class of '65?, Hollywood vs. America, Right Turns and, most recently, The Ten Big Lies About America.
 
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After Death Decadence, Corrections
The Body Worlds exhibition in Berlin that Michael Medved refers to is the fourth chapter of Dr. Gunther von Hagens' HUMAN SAGA project.The first chapter, The Three Pound Gem looked at the brain and neuroscience. The second, The Story of the Heart presents aspects of the heart and cardiology. The third, The Mirror of Time focuses on aging. The Berlin exhibition, BODY WORLDS & The Life Cycle focuses on the human life cycle, of which human reproduction is a key element. The display Mr. Medved refers to in the Berlin exhibit should be viewed in this context. The most comprehensive and latest information on BODY WORLDS and Dr. Gunther von Hagens can be found at http://www.bodyworlds.com. Mr. Medved is factually incorrect on two counts when he states: "Herr von Haugen previously inspired controversy with his display “Bodies: The Exhibition,” which toured the United States and featured skinned and preserved human remains." First in the spelling of Dr. von Hagens name, and secondly in associating "Bodies: The Exhibition" with Dr. von Hagens. That exhibition is by Atlanta based publicly traded company (PRXI), Premier Exhibitions.


Charles Martel
I heard that this guys "Bodies" show used Chinese (as in People's' Republic) corpses. I boycotted it because you have to wonder how "voluntary" the donation of corpses was in that country with its deplorable human rights conditions. Probably a bunch of murdered Tibetans.
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"My friend's mother pointed out that he was born in 1945, and I responded that he wasn't actually born in 1945, but that 1945 was the earliest record they had of him.

She later postulated that the male cadavers were all circumcised, which suggested that they were, like she is, Jewish. I pointed out that most of the displays were missing much more than just their foreskins.
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