'This Is Where the Systematic Killing Took Place': 200 Days of War From...
White House Insists Biden Has Been 'Very Clear' About His Position on Pro-Hamas...
Watch Biden Lose the Battle With His Teleprompter Again
Thanks, Biden! Here's How Iran Is Still Making Billions to Fund Terrorism
Trump Not Sending His Best
DeSantis May Not Be Facing Biden in November, but Still Offers Perfect Response...
Lawmakers in One State Pass Legislation to Allow Teachers to Carry Guns in...
UnitedHealth Has Too Much Power
Former Democratic Rep. Who Lost to John Fetterman Sure Doesn't Like the Senator...
Biden Rewrote Title IX to Protect 'Trans' People. Here's How Somes States Responded.
Watch: Joe Biden's Latest Flub Is Laugh-Out-Loud Funny
Hundreds of Athletes Urge the NCAA to Allow Men to Compete Against Women
‘Net Neutrality’ Would Give Biden Wartime Powers to Censor Online Speech
Lefty Journalist Deceptively Edits Clip of Fox News Legal Expert
Is the Marist Poll a Cause for Concern?
Tipsheet

Liberals Outraged Over Unhinged Theory About the CPAC Stage Just Stepped On a Major Rake

AP Photo/John Raoux

The Conservative Political Action Conference took place last week in Orlando, Florida and while it was an enjoyable event to attend, especially since I was a speaker on the main stage, there was controversy sparked online after some began to claim the stage looked like a Nazi symbol.

Advertisement

While absurd on its face, the unhinged theory gained a lot of traction, claiming CPAC had purposely set up a racist dog whistle. Not only did CPAC deny it intended to have a racist symbol, but it had also contracted an outside designer who set it up for them. 

The firm, Design Foundry, has taken responsibility for the misstep. On top of the CPAC not being responsible for the design, but the company has done other events for liberals and the owner is a staunch supporter of President Joe Biden.

Advertisement

Design Foundry said it "had no idea that the design resembled any symbol, nor was there any intention to create something that did" and the stage setup was "intended to provide the best use of space, given the constraints of the ballroom and social distancing requirements," in a statement to the Forward.

The terms of the contract showed that while CPAC had approved the design, they had no rights to change or dismantle the stage.

"ACU and CPAC have no interest in promoting antisemitism from our stage, whether it’s what happens on the stage or the design of the stage itself," Ian Walters, director of communications for the ACU and CPAC, told the Forward. "It’s clear that the company we retained designed a stage that has become an unwelcome distraction. As a result, we will not be using that company’s services going forward at future events."

Join the conversation as a VIP Member

Recommended

Trending on Townhall Videos

Advertisement
Advertisement
Advertisement