Egyptians move to reclaim streets through graffiti
APNews
Jan 29, 2012
The conflict between Egypt's ruling military and pro-democracy protesters isn't just on the streets of Cairo, it's on the walls as well, as graffiti artists from each side duel it out with spray paint and stencils.
Earlier this month, supporters of the ruling generals painted over part of the largest and most famous antimilitary graffiti pieces in the capital.
The military's supporters then made a 15-minute video using footage posted by two young men stenciling pro-revolution graffiti and wearing Guy Fawkes masks, the grinning face made famous by the movie "V for Vendetta". In an attempt mock the revolutionary street art, the military supporters declared in their video, "The police, military and people are one hand," and, "The military is a red line."
They posted the video online, calling themselves the "Badr Battalion" and describing themselves as "distinguished Egyptian youth who are against the spies and traitors that burn Egypt."
It was an ironic turnabout, with backers of the authorities picking up the renegade street art medium of revolutionary youth.
During the regime of Hosni Mubarak, Egypt had almost no graffiti on the walls of its cities. But when the uprising against Mubarak's rule erupted a year ago, there was an explosion of the art.
Taking control of the streets was critical for the thousands of Egyptians who eventually overthrew the country's authoritarian leader. The battle continues to be fought by graffiti artists who support the country's military rulers and those who want them to relinquish power.
Since Mubarak's fall on Feb. 11, graffiti is everywhere in Cairo and other cities, proclaiming the goals of the revolution and mocking the regime. Graffiti artists have continued to work, using walls, buildings, bridges and sidewalks as a canvas to denounce the generals who took power after Mubarak as new dictators and to press the revolution's demands.
Usually anti-military graffiti has a short lifetime before it is quickly painted over or defaced with black spray paint. And just as quickly the artists put up more.
The graffito that pro-military supporters painted over had survived remarkably long. Mohamed Fahmy, known by his pseudonym Ganzeer, put it up in May under a bridge. It depicts a military tank with its turret aimed at a boy on his bike who balances on his head one of the wooden racks that are traditionally used to deliver bread _ though instead of bread, he's carrying a city. It was a symbolic reference to revolutionary youth who care for the nation, heading into a collision with the generals.