Suzanne Fields

The most poignant evocation of war shows Lincoln riding through a field of ripped and rotting corpses, and Lincoln takes off his stovepipe hat in homage to the dead, North and South and Americans all. This is not a hymn to "arms and the man" so much as a long mournful dirge played on the strings of banjos, fiddles and the keys of a parlor piano. It's as gritty and earthbound as the America of Mark Twain.

This "Lincoln" is not about heroism and ideals, but about reality and fighting for what's right, even when "right" is seen from two distinctly different points of view -- or, as Lincoln puts it, "the right as God gives us to see the right." If there was no room to compromise over slavery before the war, the struggles for compromise are not over afterward because the winds of war still blow. They merely change direction.

While every schoolchild knows that Abe Lincoln freed the slaves, not many that I've met actually know how he did it. Few seem to understand that the Emancipation Proclamation freed only the slaves in the 11 Confederate states. Fewer still know why Lincoln thought it crucial before he began his second term, and before the war was over, to enact the 13th Amendment to give all men equality under the law. That's the tight focus of the movie.

I watched "Lincoln" with two precocious teenagers, who in spite of their bravado and smarts leaned toward the screen to listen closely to Lincoln's complicated and legalistic explanation of why the country needed the 13th Amendment. They conceded they learned things they didn't know about both the law and Lincoln. (So did I.)

This is a talky movie. Compared to popular 3-D spectacles, it's muted and low-key. Many reviewers have written about how it's "relevant" today, and that Barack Obama could learn from Lincoln's cunning to keep from falling off the fiscal cliff. A knowing titter goes through audiences in Washington when Thaddeus Stevens, the radical Republican abolitionist from Pennsylvania, castigates Lincoln for his inability to win legislative compromise. "I lead," Lincoln says. "You ought to try it."

But it's about a lot more than relevance. It informs as it entertains, engages, enrages, champions, challenges and reminds once again how hard it is to bring about change in a democracy -- and do it with malice toward none.

Suzanne Fields

Suzanne Fields is currently working on a book that will revisit John Milton's 'Paradise Lost.'

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