Suzanne Fields

The presidential couples, Laura and George W. Bush and Michelle and Barack Obama, standing in front of the White House, looked buff and comely in their ease and smiles. The president and the president-elect in their dark suits and blue ties and Laura and Michelle in different shades of red suggested cordiality with dignity. (If one couple looked more tanned than the other, only a churl would have imagined that an insult.)

The picture will enter the history books testifying to a new image of race in America. The victory of a black man as president changes perceptions of political possibilities. Cultural images may not follow quickly. America basks in the euphoria of an election promising a "post-racial era" and maybe new possibility for black children. It should do that, and we all hope it does, but it won't change the reality of their lives overnight. A nation's culture is not only more complex than its politics, its timetables are more difficult to manipulate. Voters point the direction they want the country to go. Cultural habits follow more slowly.

"We've had an African American first family for many years in different forms," Karl Rove observed on election night. "When 'The Cosby Show' was on (the television schedule), that was America's family. It wasn't a black family. It was America's family." Nice sentiment, but no cigar.

"The Cosby Show" was watched by blacks and whites for different reasons. The fictional Huxtables showed whites a black-middle class family that looked like "people like us." The show was an updated "Father Knows Best," reflecting white mores of the times, with a dad who was a doctor and a mom who was a lawyer.

Middle-class blacks could identify with the Huxtables, too. But this was in the 1980s, when many other blacks, not so fortunate as the family on the screen, blamed everything bad in their lives on racism, including the poverty of single mothers and high-school dropout rates. Black leaders of that day rarely touched on issues of personal responsibility. Angry critics in the black community saw "The Cosby Show" as a fairy tale to assuage white guilt rather than a tale encouraging black aspirations to the American dream.

Barack and Michelle Obama are real-life models of black achievement, but they may remind poor blacks of how different their lives are from the lives of the well-off. The president-elect's staff is talking about which expensive private school (the favorites with tuition as high as $30,000 a year) their daughters will attend. Washington public schools, among the worst in the country, are probably out.

Suzanne Fields

Suzanne Fields is currently working on a book that will revisit John Milton's 'Paradise Lost.'

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