Robert Novak

WASHINGTON -- When a private viewing of Mel Gibson's "The Passion of Christ" was completed at a Washington hotel 10 days ago, my wife and I along with a dozen other invited guests were emotionally frozen into several minutes of silence. The question is whether public presentation of the film four months hence shall be welcomed by tumultuous demonstrations outside the theaters.

Hollywood actor Gibson, who spent over $25 million of personal funds to produce "The Passion," has finally found a distributor to begin its showing Feb. 25 -- Ash Wednesday. A campaign by some Jewish leaders to radically edit the film or, alternatively, prevent its exhibition appears to have failed. This opens the door to religious conflict if the critics turn their criticism into public protest.

That is not because of the content of "The Passion." As a journalist who has actually seen what the producers call "a rough cut" of the movie and not just read about it, I can report it is free of the anti-Semitism that its detractors claim. The Anti-Defamation League (ADL) and its allies began attacking the movie on the basis of reading a shooting script without having actually seen the film. The ADL carries a heavy burden in stirring religious strife about a piece of entertainment that, apart from its artistic value, is of deep religious significance for believing Christians.

The agitation peaked in early August when New York State Assemblyman Dov Hikind told a rally: "This film is dangerous for Jews all over the world. I am concerned that it would lead to violence against Jews." Hikind had not viewed the film. After an ADL representative viewed a rough cut, longtime ADL director Abraham Foxman on Aug. 11 declared the movie "will fuel hatred, bigotry and anti-Semitism." Foxman called on Gibson to change his film so that it would be "free of any anti-Semitic message." This renews the 200-year-old dispute over the Jewish role in the crucifixion of Christ, the source of past Jewish persecution.

"The Passion" depicts in two hours the last 12 hours of Jesus Christ's life. To watch him beaten, scourged and crucified so graphically is a shattering experience for believing Christians and surely for many non-Christians as well. It makes previous movie versions of the crucifixion look like Hollywood fluff. Gibson wants to avoid an "R" rating, but violence is not what bothers Abe Foxman.

Foxman and other critics complain that the Jewish high priest Caiphas and a Jewish mob are demanding Christ's execution, but that is straight from the Gospels. Father C. John McCloskey, director of the Catholic Information Center in Washington, told me: "If you find the Scriptures anti-Semitic, you'll find this film anti-Semitic."

Robert Novak

Robert Novak (1931-2009) was a syndicated columnist and editor of the Evans-Novak Political Report.

©Creators Syndicate