Every twelve-year-old knows Rihanna. And Katy Perry and Lady Gaga. Do you?
The music industry today is huge, racking up over 1.5 billion in sales in the U.S. alone—and kids are their target audience. It’s an industry that’s no longer primarily about music. It’s become another avenue for selling porn and sexualizing younger and younger children in the process.
Last week, Mike Stock, one of Britain’s top songwriters and producers, denounced his own industry for marketing music that is “99% soft pornography.” The “music industry has gone too far,” he says. Stock, whose own music portfolio in years past included some very explicit lyrics, has changed his tune. He’s a parent now. In Stock’s view, “Kids are being forced to grow up too young” because music videos expose them to explicit images and “sexualize” even young children.”
Gone are the days when parents could protect their children from raunchy music by checking CDs for Tipper Gore-inspired advisories. Much of the music’s not just raunchy anymore--it’s explicitly sexual. And it’s only a download away from limitless play on your child’s iPod.
And the industry excels at promoting across every platform available, especially video. Nearly every major pop star produces pornographic music videos and pushes them to your children through Facebook fan pages (new videos generate tens of thousands of hits in just hours) and YouTube videos, plus MTV. Live concerts are often worse, like Rihanna’s recent New York appearance, which simulated sex and masturbation before an audience full of pre-teen and adolescent girls.
The stars often reach down into the children’s market to cultivate new fans, creating brand awareness among even the youngest children, ensuring future success and million dollar revenues.
Take, for example, pop star Katy Perry. Wildly popular with the pre-teen set, she has long left her Christian roots behind. In her latest album, “Teenage Dream,” her nearly naked, pornographic romp flashes between beach flirtations and sex in a hotel room. She boasts about resisting record company efforts to tone down her song Peacock, baldly sexual in its connotation, because she spells success “s-e-x.” The same Katy Perry was just featured on Nickolodeon’s “Kid’s Choice” music awards, guests on Sesame Street this fall, and appears in the 2011 kids’ movie, The Smurfs. [The fourth grade girls in my neighborhood love her.]
It’s the kind of purposeful, deliberate, crossover marketing that the music industry has perfected.
How to save your family by monitoring your child’s music.