Last week, a Utah judge struck down part of the state's anti-polygamy law, clearing the way for men to marry multiple spouses.
Methodist pastor Frank Schaefer, defrocked for officiating at the same-sex marriage of his son, refused to recant, and joined a Dupont Circle congregation, declaring from the pulpit to repeated ovations Sunday, "Change is coming" to the United Methodist Church.
Major media stories both.
Yet these were skirmishes alongside the culture war clash last week over the remarks to GQ magazine of Phil Robertson, patriarch of the clan of "Duck Dynasty," the wildly popular show on A&E.
Using crude terms, but biblically correct arguments, Robertson told GQ what he thought of homosexuality and moral relativism. Said Robertson:
"Everything is blurred on what's right and what's wrong. Sin becomes fine. ... Start with homosexual behavior and just morph out from there. Bestiality, sleeping around with this woman and that woman and that woman and those men. ...
"Don't be deceived. Neither the adulterers, the idolaters, the male prostitutes, the homosexuality offenders, the greedy, the drunkards, the slanderers, the swindlers -- they won't inherit the kingdom of God. Don't deceive yourself."
The homosexual lobby GLAAD swiftly demanded that Robertson be purged from "Duck Dynasty." And A&E suspended him indefinitely.
The backlash was swift and huge. Followers of "Duck Dynasty," Evangelicals, politicians and free-speech champions arose to defend Robertson's right to speak without punishment. Millions endorsed his views on what the Bible says and Christianity professes and promises.
The battle revealed an immense and intense hostility in Middle America to the moral agenda being imposed by our cultural elites.
While defenders of Robertson invoked the First Amendment, that is not the issue here. No one is denying Robertson his right to speak.
What GLAAD wants to do is to blacklist Robertson, to punish him by taking away his podium, "Duck Dynasty." The gay rights militants cannot silence him, but they do have the power to cost him his job and take away his megaphone so that his vast audience can no longer hear him.
The blacklist of the Truman era did not deny the Hollywood Ten their right to produce movie scripts. It was an agreed-upon Hollywood policy not to commission or to use the work of unrepentant Communists as writers, producers or directors.