Which brings us to the heart of the matter: Mel Gibson is under attack not because he twisted the Gospels but because his film is faithful to the Gospels. It is anti-Semitic only if the Gospels are anti-Semitic, only if Christianity is anti-Semitic, only if a hatred of Jews is embedded in the New Testament from Gethsemane to Golgotha. But no true follower of Christ can believe that about Him or about His mission or His words.
Indeed, in the savagery of the attacks on Gibson what is coming out of the closet is a visceral hatred of Christianity.
Consider: Art critics have instructed us to appreciate that the "Piss Christ," a figurine of Jesus on the Cross in a jar or urine, was art; that a portrait of the Madonna with elephant dung smeared on it and female genitalia surrounding the face is artistic freedom of expression that must be respected.
We were told "The Last Temptation of Christ" that portrayed Jesus as a lustful wimp pining over Mary Magdalene was a beautiful film. Yet the same critics tell us "The Passion" is an insult to decency that should never have been made.
Now, it seems, comes payback time. Apparently, Hollywood, that bastion of artistic freedom where the First Amendment is the First Commandment, intends to blacklist Gibson.
Writes The New York Times' Sharon Waxman: "Jeffrey Katzenberg and David Geffen, the principals of DreamWorks, have privately expressed anger over the film, said an executive close to the two men. ... The chairmen of two other major studios said they would avoid working with Mr. Gibson because of 'The Passion of the Christ.' ...
"'I won't hire him. I won't support anything he's part of. Personally that's all I can do,' said one of the chairmen."
What we see here is naked hypocrisy. Traditional Christians must accept "art" that degrades the symbols of their Faith in the name of artistic freedom, but a film that upholds the Faith, to which the Hollywood elite objects, will cost you your career.
Gibson has scored a triumph in the culture war by telling The Greatest Story Ever Told with artistry and courage, while under a year-long attack by enemies whose hatred of the Gospel truths caused them to stumble and blunder themselves into laughable absurdity.
And there is an ancillary benefit. Because of the over-the-top attacks on Gibson, millions who see "The Passion" will also come to see the slur of "anti-Semite!" for what it has all too often become, an attempt to smear, silence, intimidate, ostracize and blacklist.
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