Michelle Malkin

 Can you imagine George Clooney putting down the basketball and picking up an M-4? Or Chris Rock and Jon Stewart cracking codes instead of jokes? Or Brad Pitt wearing combat boots for real combat instead of a Vanity Fair photo shoot? Or Spike Lee directing films defending the War on Terror? Or Eminem marching in step with the Army Air Force band?

 Those who stayed behind during World War II starred in countless films -- "Action in the North Atlantic," "Arise, My Love," "All Through the Night," "Bataan," "The Battle of Midway," "Captains of the Clouds," "Desperate Journey," "Destination Tokyo," "Escape," "Flying Tigers," "Foreign Correspondent," "The Great Dictator," "Gung Ho!" "The Mortal Storm," "One of Our Aircraft Is Missing," "So Proudly We Hail!" "Wake Island," and "Yankee Doodle Dandy," to name just a few -- which rallied Americans through the long, dark days of the war to support the Allied cause. The movies depicted good and evil in stark terms. And there was no politically correct revisionism about who our enemies were.

 By contrast, even tough-guy Arnold Schwarzenegger failed to stand up to Hollywood mushies who were afraid to depict Arab terrorists in his post-Sept. 11 movie, "Collateral Damage." Instead of encouraging Americans to confront the true face and nature of the Islamist threat, Schwarzenegger and his producers turned the Arab terrorists into Colombian terrorists so no one would complain about "racial profiling." Similarly, Steven Spielberg's new movie about an asylum-seeker, "The Terminal," indulges in weak-willed liberal escapism by demonizing Department of Homeland Security officials just trying to do their jobs.

 Box-office patriotism is dead. And so I ask: If Hollywood refuses to support America, why should we support Hollywood?

Michelle Malkin

Michelle Malkin is the author of "Culture of Corruption: Obama and his Team of Tax Cheats, Crooks & Cronies" (Regnery 2010).

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