With its fantasy world backdrop, sympathetic talking animals and extravagant battle scenes, the new movie, The Golden Compass, may resemble C.S. Lewis’ The Chronicles of Narnia. But parents be advised, this film — which is very intentionally being marketed toward children — is nothing of the sort.
The Golden Compass was created with the benefit of a multimillion dollar budget and big name actors such as Nicole Kidman, Kevin Bacon, and Sam Elliot. It opens December 7, and promises to be action-packed and visually stunning in the epic tradition of Narnia or The Lord of the Rings.
But upon closer review, it becomes abundantly clear that both this movie and the man behind it have a very certain anti-Christian axe to grind.
Based on the first of three secular humanist children’s books by avowed atheist and British author Phillip Pullman, The Golden Compass provides the opening “down with God” salvo in the author’s His Dark Materials trilogy.
Pullman leaves little question as to his books’ central theme. “I don’t profess any religion,” he is quoted as saying. “I don’t think it’s possible that there is a God; I have the greatest difficulty understanding what is meant by the words ‘spiritual’ or ‘spirituality.’”
Ironically, Pullman’s confident pronouncement that there is no God appears to take an exclusive backseat to his hatred for the very God he denies. “My books are about killing God,” he told The Sydney Morning Herald in a 2003 interview. And in the trilogy’s final offering, The Amber Spyglass, he does just that — he knocks off the Almighty in a delusional fit of grandeur.
Pullman’s books drip with moral relativism, that deceptively sweet, yet fruitless nectar of the secular humanist. His portrayal of God — which is clearly intended to personify the Christian church — is that of an evil authoritarian who spitefully stifles human creativity, arbitrarily punishing mankind for very naturally and properly entertaining base impulses with unfettered license.
In a telling and pivotal moment in the series, a former nun named “Mary Malone,” who is a central character, poignantly reflects upon her realization that God does not exist:
“There’s no one to fret, no one to condemn, no one to bless me for being a good girl, no one to punish me for being wicked. Heaven was empty. I didn’t know whether God had died, or whether there never had been a God at all.”