Editors' note: to watch the worldwide premiere of Not Evil Just Wrong, tune in here on Sunday night at 8pm EST.
"We live in an age of fear."
The first line of Not Evil Just Wrong: The True Cost of Global Warming Hysteria reverberates throughout the documentary as an indictment of the modern environmental movement. The film delves deep into what the heart of environmentalism is: creating an artificial crisis and devaluing ordinary human worth.
Phelim McAleer and Ann McElhinney’s production, being released worldwide on October 18, takes global warming alarmists head-on with a convincing narrative of the methods of environmentalist panic. The movie’s principle action consists of a series of interviews from a wide-ranging group of voices, from scientists to journalists to environmental activists to expose how the environmental left manipulates the media and public opinion to propagate the anthropogenic global warming farce. Along the way, the filmmakers introduce us to leading lights in the environmental movement while highlighting some of the inexcusable fallacies the green leftists have foisted upon the world.
Over the course of the last fifty years, the modern environmental movement has attempted to turn every minor concern into an imminent crisis. One of the first major successes that they had was the worldwide demonization of the pesticide DDT. Used to great success in the United States in controlling the mosquito population and virtually eliminating malaria, environmentalists engaged in a smear campaign that led to the outlaw of the pesticide’s use in the developing world, where over one million people die every year from malaria. Exploring the DDT slur marks one of the film’s many high points, laying out the blueprint for how environmentalists will engage in an anti-science ideological campaign.
This system of crisis creation has been endemic to the modern environmentalist left. To them, every crisis needs a centrally-planned and government-administered solution. Every crisis requires a dramatic reorganization of society and the outlaw of new, useful technologies. These leftists see these crises in absolute moral terms. Conservatives take a far more reasonable approach: disagreements stem not from morality, but misunderstandings. Roy Innis, chairman of the Congress of Racial Equality and a major contributor to the film, says