District Attorney Seth Williams described Gosnell’s actions thus: He “induced labor, forced the live birth of viable babies in the sixth, seventh, eighth month of pregnancy and then killed those babies by cutting into the back of the neck with scissors and severing their spinal cord.”
Greedy Gosnell preyed on the mother, Karnamaya Mongar, 41, and ushered her into his abortion clinic after two other abortion clinics refused to perform the operation because she was so far along.
Racism, sexism and child-labor violations were par for the course in Gosnell’s clinic.
Mongar had spent 20 years in a Nepal refugee camp before coming to the U.S. Because of Gosnell, she only spent four months in America. Gosnell’s nurses testified that he took better care of white patients than minority patients, justifying his racism as: “That’s the way it is.”
The day that Karnamaya Mongar went into cardiac arrest, Gosnell had his “expert medical staff” on-hand, namely a 15-year-old teenager named Ashley Baldwin. Instead of hiring qualified medical experts, Gosnell worked Baldwin to the bone (50 hours a week) so that he could make the maximum amount of money possible. Baldwin helped with delivery when Gosnell was gone, performed procedures, ultrasounds and intravenously sedated patients. He essentially lied to Ashley’s mother and said that a “grandfather clause” allowed him to bypass certifying his staff. A real pimp.
Lynda Williams, 44 testified that she worked for Gosnell. She said that if patients complained about the pain (his medications often failed), he would just give their legs a whack. And if a baby was born alive, she said Gosnell would order her to get out the sheers. ‘I only do what I’m told to do,' she told the jury. 'What I was told to do was snip their neck.’
The 40 Film
We also need to spread objective hope and education, which is where “The 40 Film”comes in. An investigative and emotional movie spanning 40 years of legalized abortion, 40 lets us hear both sides of the story. We hear from women who genuinely believe that abortion is a moral option as well as those who have experienced abortion first-hand.
40 answers the most salient arguments from the pro-choice movement and also humanizes the women who have made the choice to abort, and regret it years later. 40 gives us new insight into young people—the Millennials who are essentially (according to Pew’s latest research) no more “pro-choice” than their parents. 40 shows us how many young people are taking it upon themselves to champion a culture that appreciates life from conception through natural death. You can learn more about 40 and how to bring it to a theatre near you here.
The federal government has no business involving itself in abortion or marriage. Likewise journalists could use their storytelling abilities to enhance society instead of handing the microphone to celebrities who kiss and tell. The Gosnell Movie and 40 are an answer to awakening a culture of life, hope, health, kindness, and genuine choice.
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