In the run-up to the airing of the HBO movie “Game Change,” its detractors were told that the movie was fair and that the filmmakers tried to make it “as balanced as possible.” That it wasn’t just two hours of Sarah Palin-bashing. Now that the movie has aired, their defenses have been undermined by the truth.
Although I was never close enough to consider myself a friend of Andrew Breitbart,I always considered him an invaluable and fierce ally in the fight for conservative values. I only met him a few times but as a longtime contributor to one of his websites, I will be eternally grateful for the opportunities he provided for conservatives like me to write and engage in the political debate.
“Each day we remained unrescued made me wonder if we were worth saving,” Douglas MacKinnon writes in his new memoir, “Rolling Pennies in the Dark.” The highly-readable and emotionally-charged book tells the story of MacKinnon as he rose from devastating poverty to the heights of political power.
“We thought that Hollywood’s misrepresented their community for so long that it would be great to get their story authentically told,” director Scott Waugh said about his new film, “Act of Valor.”
“We shall stand on principle or we will not stand at all,” Margaret Thatcher (Meryl Streep) states late in the new film, “The Iron Lady.” The movie- which explores the life of the masterful former prime minister of England—attempts to show the conservative politician in both her glory and in her latter years. In doing so, it successfully portrays Thatcher’s political successes but stumbles along the way by focusing too much on her health after her tenure as prime minister.
Many celebrities in Hollywood use the platform that fame provides to promote their favored political causes and candidates. From Sean Penn to Matt Damon to Jane Fonda, famed actors and actresses—who are oftentimes on the extreme left of the political spectrum-- use their power and influence to support their personal ideologies. Roma Downey is different.
“That was really an accident,” Mitch Albom recently called the publication of his first nonfiction book, “Tuesdays with Morrie.” At the time, the sports columnist was just trying to earn money to help pay his former professor’s medical bills. However, when the book was published, it became something more. An international sensation. It also changed Albom’s life.
It’s difficult to dislike Clint Eastwood. He’s an excellent director and a fine actor, who is openly conservative in a town that often disdains them. Many of Eastwood’s films have avoided politics but his new film “J. Edgar” will likely open up a political debate because of its depiction of J. Edgar Hoover, the long-serving former director of the FBI
Over the weekend, I attended a screening of "Tower Heist," a new comedy that pits a group of working-class employees at a residential high-rise against a corrupt financial investor. The first scene shows the investor swimming in a rooftop pool with an image of a $100 bill at its base. That’s the story's first symbol of cold opulence in a story rife with them.
Several months ago, film critic Nell Minow – aka The Movie Mom-- presented a segment on “Roger Ebert Presents” about corporate villians and she noted that "the most frequent villian in movies is the American corporation." She added that many films, which are often made and distributed by corporations themselves, use corporations as their “villain of choice”.
There are a lot of reasons why people know the name Emilio Estevez. Some know him because his father is Martin Sheen and his brother is Charlie Sheen. Others know him for playing the “jock” in “The Breakfast Club.” Still others know him for his work playing coach Gordon Bombay in “The Mighty Ducks” films. Even others know him for the many other films that he's acted in or directed over the years.
“We’re all on Daniel’s terms,” Tom (Martin Sheen) says referring to his adventure- seeking son in the new film, “The Way.” Daniel (Emilio Estevez) is a born traveler who loves to explore the world as the story begins. Unfortunately, that leads to a tragic accident and David is killed early on while taking a pilgrimage down the Camino de Santiago (“The Way of Saint James”).
“I don’t have to play dirty anymore. I got Morris.” Press secretary Stephen Myers (Ryan Gosling) says this early on in the new political thriller, “The Ides of March.” The film tells the story of a naïve campaign employee who has become enchanted by the governor he works for.
“You can’t keep going the way you been going,” Lynn Childers (Michelle Monaghan) says to her husband Sam (Gerard Butler) early on in the new film, “Machine Gun Preacher.” The movie tells the true story of Sam Childers, a former drug-dealer, who turned his life around and began following Christ. Directed by Marc Forster, who previously helmed “The Kite Runner” and “Monster’s Ball,” “Preacher” presents Childers as a complex man whose intentions are noble but whose actions are often controversial.
“The last thing Christ wants is our heart…what God wants from us is our feet, our legs, our hands, our arms. He wants our entire body,” Sam Childers recently stated during a roundtable interview for his new film, “Machine Gun Preacher.” The film chronicles the story of how Childers went from selling drugs in Pennsylvania to building an orphanage in the Sudan.
The film, an adaptation of the play, recounts one of the most famous (or infamous, depending on your perspective) interviews of all time.
“Marriages aren’t fireproof.” So states Caleb Holt, the lead character of the new motion picture Fireproof, the third in a series of films created by the Sherwood Baptist Church community in Albany, Georgia.
Here’s a quiz: Which prominent African-American politician famously said: “The politics of fear is no acceptable alternative to the politics of hope.”
More than five years after the far-reaching education reform legislation became law, Congressman Scott Garrett (R-NJ) is fighting back over renewal of the bill to ensure that no child is really left behind.
In this current age of online politics and the emergence of You Tube campaigning, the lessons from last week’s Obama-MySpace controversy should send a strong message to all of the other campaigns who are trying to use the internet as a powerful tool this election season.