The workhorse word, of course, is plain-vanilla "naked."
Remarkably, Bartlett's Quotations offers 49 citations of "naked"
and not a single one of "nude." The most famous of these goes
back to the Garden of Eden, where the first couple "were both
naked and were not ashamed." Shakespeare lent the adjective to
Richard III: "... And thus I clothe my naked villainy." Goya
painted his "Naked Maja," a lady who might usefully have shed a
few redundant pounds.
Manifestly, "naked" and "nude" are seldom interchangeable. It
never would have occurred to Shakespeare to write about Richard's
"nude" villainy. The line would not have scanned. References to
the "nude truth" lose their sting. Writers learn such
distinctions in their cradles. Moll Flanders was naked; Lady
Godiva was nude.
Bud Weil of Las Vegas writes to ask about "free gift" and "for
free." Viewed under the cold light of grammatical analysis, the
phrases are patently redundant. It would be a strange kind of
gift that was not "free." And the fawning "for" adds nothing to
the 13th oyster on the platter. That beautiful bivalve was born
"free" and comes to the table the same way: i.e., built into the
eye-popping price on the seafood menu.
James J. Kilpatrick
James J. Kilpatrick has been reporter, editor, columnist, commentator, and briefly an adjunct professor of journalism.
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