Fonda and Hellman, however, make public-square-approved bedtime reading. It is Deen who is anathema, now and probably always. Why? Whether she is as far left as Fonda and Hellman, Deen is no conservative – the most common cause of cultural leprosy. What gives?
The answer lies in the superpowers of the left to shape and guide our responses to all cultural stimuli, something I discuss at length in my new book, American Betrayal. Deen, 66, may have supported President Obama in 2008, but she is an old, white Southerner, which, in good, ol’ fashioned Marxist-Leninist terms, is still a class of person best defined as “enemy of the people.” Detestable. Expendable. Throw her under the “limousine liberals’” limousine while they, admiring enemies of the Constitution (or U.S. troops), whiz by us in cultural camouflage all the way to the reliably capitalist bank.
And speaking of the reliably capitalist bank, don’t forget Alec Baldwin. The notoriously bad-mouthed actor (and left-wing People for the American Way board member) volcanically erupted on Twitter recently, hurling expletive-laced homosexual insults at a journalist. However, Baldwin, too, remains a public-square-anointed one, apparently secure as pitchman for Capitol One.
It gets more ironic. Also out this month is a Town & Country cover story about Armand “Armie” Hammer, the 26-year-old star of a new Lone Ranger movie. The headline is, “Lone Ranger in Love: He’s from an American Dynasty, but for the New John Wayne, Money and Fame Aren’t Everything.”
American dynasty? The new John Wayne? Young Armie, of course, has nothing to do with the formation of said dynasty, and probably less to do with the writing of the glossy headline. In short, Armie is beside my point, which is this: The Hammer “Dynasty’s” formation was anything but “American” given its deep, twisted roots in Soviet wheeling and dealing.
Armie’s great-grandfather was Armand Hammer (1898-1990), a legendary Soviet “agent of influence” whose fortune began to accrue while in effect laundering money for Lenin’s nascent Soviet Union – no fan, of course, of the bourgeois likes of Town & Country. Then there’s the magazine’s invocation of John Wayne, a legendary patriot and anti-Communist. So outspoken was Wayne, film historian and Wayne biographer Michael Munn tells us, the actor was actually targeted for assassination by Stalin. p> Town & Country’s headline isn’t just an example of tone-deafness. By such discordant chords, our history is written over and forgotten, leaving us oblivious to everything – except, of course, that Paula Deen is a racist.