Diana West

Maybe there's some rarified irony about the fact that in a society increasingly dependent on imagery, not words, to convey information, it is imagery that the media have denied us in conveying the story of a Danish newspaper's Muhammad cartoons. But with a Gallup Poll reporting that 61 percent of U.S. respondents believe that Europeans who printed the caricatures of Muhammad acted irresponsibly, it's nothing to shrug off.

The rationale goes something like this: "Not all self-censorship is a bad thing."

"Even if all the world had the right of free speech, I still believe there are things that should not be said."

"It's some weird presumption of modernity that says because something can be done it must be done."

The above statements came out of my e-mailbag after last week's column -- my cartoon rage 2006, or, as I like to call it, How a Proud Press Bowed Its Head and Submitted to an Islamic Law against Depictions of Muhammad. These letter-writers, representing a small but noticeable contingent, rejected the submission argument as a point of pride, reading into their own contentment to "see no evil"  --  that is, see no Muhammad cartoons -- an elevated sensibility: good manners, good taste and self-restraint. This may be highly commendable -- the good manners, taste and self-restraint part  -- but it is entirely beside the point.

Which is what draws me back to this freak show of a story one more time before its narrative-memory is set, and before the beginning of the end of press freedom is permanently attributed to kindly, responsible behavior, not incipient dhimmitude.

In another context, I wouldn't disagree with the readers' comments I quoted above. Indeed, I've been known to make similar arguments against all manner of fetid cultural excess, from lurid children's fiction to the notorious Sensation Exhibition at the Brooklyn Museum in which Dung Virgin first came to fame in 1999. (Or was that infamy? It's easy to get them confused.)

The topic of Dung Virgin, not to mention its companion piece in shock value, Piss Christ, strikes the Good-Mannerists as an important marker in their personal guides to press etiquette. Not grooving to such "artistic" attacks on Christianity, the Good-Mannerists say they can understand the consternation of the Cartoon Ragers -- at least to some point shy of death threats, arson and murder  --  and see media self-censorship as a matter of common decency.

Diana West

Diana West is the author of American Betrayal: The Secret Assault on Our Nation's Character (St. Martin's Press, 2013), and The Death of the Grown-Up: How America's Arrested Development Is Bringing Down Western Civilization (St. Martin's Press, 2007).