Diana West

There was something in the New York Times story "Actors in All-Latino Cast Savor a 'Historic Moment'" that reminded me of the BBC story "Gloucester Muslims tell (British Home Secretary) Blunkett to resign" -- but what? That is, how could it be that a story written to celebrate, politically and correctly, the Hispanic-ness of a Broadway cast have anything to do with a heated gathering of British Muslims at a Gloucester community center? What could acting in "Anna in the Tropics," a Pulitzer Prize-winning play, have to do with debating the arrest of a local bloke suspected of Al Qaeda links? The stories are without parallels.

Or are they? Both stories are deeply marked by their subjects' ethno-vision, the tightly blinkered perspective that makes for rigid groupthink and cumbersome apologetics. On Broadway, it allows actors, who are as lucky as they are deserving, to rise to the peak of their careers and see only a view dominated by the bogeymen of identity politics.

Actress and dancer Priscilla Lopez, 55, for example, is typical. She's found great professional success as an actress and dancer in a range of roles from "A Chorus Line," in which she played Diana Morales, to "A Day in Hollywood/A Night in the Ukraine," for which she won a Tony Award playing Harpo Marx, and more recently, in the movie "Maid in Manhattan," in which she played pop queen Jennifer Lopez's mother. Yet Lopez finds point and purpose in worrying about being typecast as a Hispanic, and, then again, not being typecast as a Hispanic. Sometimes, the article reported, she even "felt guilty for working while so many Latinos did not."

Talk about being damned if you do and damned if you don't (and also damned if no one else does). It is such a mindset, a continuous loop that circles but never reaches reality, that will probably link the expected early close of "Anna in the Tropics" not to a faltering play that drew mixed reviews, but rather to the conviction that Broadway just wasn't ready for a "Hispanic" play. In the self-deluding perpetuation of group mythology, the destiny of the individual, or the individual play, is lost.

In the Muslim enclave of Gloucester, the context may be entirely different, but the school of group-thought is the same. Last week, Sajid Badat, 24, was arrested by Scotland Yard under Britain's antiterrorism laws. This week, he was charged with being in cahoots with Al Qaeda-linked British shoe-bomber Richard Reid. In between, Gloucester's 2,500 Muslims have, as a group, seen fit to close ranks around him and Badat has been the subject of emotional outbursts, fervent declamations and bizarre requests.

Diana West

Diana West is the author of American Betrayal: The Secret Assault on Our Nation's Character (St. Martin's Press, 2013), and The Death of the Grown-Up: How America's Arrested Development Is Bringing Down Western Civilization (St. Martin's Press, 2007).