The abortion, in fact, is pitched as a moment of maturity, authenticity, bravery and resolve. "Donna finds out along the way what it means to be as brave in life as she is on stage," the publicity materials claim. There's not really a death so much, just a moment of personal growth.
Of course, to sell the movie, they oddly claim this abortion-advocating movie doesn't have an agenda. "Our film is not an agenda movie in any way," Slate told Rolling Stone. "The whole point is that women have this procedure, and they should have it safely, and it's a part of life. It doesn't have to be this giant obelisk sticking out." That is not an agenda, no siree.
A little murder is a part of life. A little life matters not at all.
Feminists like these movie-makers don't see a moral dilemma. They see abortion as a natural part of the daily grind. You wake up, you get an abortion, you have a cheeseburger. The critics call this a "refreshing matter-of-factness" about abortion.
It can also be described as feminist nihilism. The selfishness and autonomy of the woman is paramount, and the accidental baby is just cannon fodder. When the murder of the innocents is celebrated as comedy, civil society is destroyed.
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