Hillary Clinton wants to be all things to all people. In the last couple of weeks, she has stepped to the left of the president on health care, to the right of the president on Iran and into the realm of radicalism on race.
Positioning herself for the 2008 presidential campaign, Sen. Clinton (D-N.Y.) is simultaneously broadening and narrowing her policy positions. Mostly, she just calls repeatedly for "new leadership." Hillary's policy positions are nothing new. She has nothing particularly interesting to say. In fact, Hillary's talking points are the same as 2004 Democratic presidential nominee John Kerry's were during his failed run. Both Hillary and Kerry criticize Bush's handling of health care in eerily similar language.
"Today, we're making things worse with deliberate neglect and flawed policies that are diminishing the coverage that Americans have. That is shifting costs to others and leaving consumers, businesses and local governments with the bill," Clinton said this week. And here's Kerry, circa October 2004: "Bush has turned his back on the wellness of America. And there is no system. In fact, it's starting to fall apart … because of the larger issue that we don't cover Americans."
Hillary wants to be viewed as a hawk on foreign policy, just as Kerry did. And she is simultaneously taking money from pro-Iran sources, just as Kerry did. Kerry repeatedly called Iran a bigger threat than Iraq during his 2004 campaign yet took hundreds of thousands of dollars from pro-regime groups and individuals. Hillary called for United Nations sanctions and even placed the threat of military action against Iran on the table this week; meanwhile, she accepts campaign donations from wealthy Muslim Americans connected to the pro-regime American Iranian Council. Hillary's racial pandering is nothing new, either.
With Al Sharpton looking on, Hillary remarked this week in Harlem that the House of Representatives was run "like a plantation." John Kerry's pandering was slightly more amusing; he remarked that rap "has a lot of poetry in it. There's a lot of anger, a lot of social energy in it. And I think you'd better listen to it pretty carefully 'cause it's important."
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