The one place where we do tend to see more pop culture product aimed directly at minority audiences is with hip hop music. Hip hop gives us a compelling and uncompromised articulation of black alienation. In this sense, hip hop is political. It uses language as a weapon to push the urban experience into the mainstream. As hip hop pioneer Russell Simmons observed, "I see hip hop culture as the new American mainstream. We don't change for you; you adapt to us."
This is unique. Outside of hip hop culture there is an obvious lack of pop culture diversity. Outside of hop-hop, those minorities that do manage to break into mainstream music or TV tend to have straight hair, light skin and European features. This lack of diversity has had the effect of pushing the European aesthetic into the mainstream and making minorities feel marginalized for their unique physical and cultural attributes. Young people, who try desperately to be what the pop culture tells them they should be, respond by straightening their hair, or even hating their dark skin.
Hip hop presents an alternative. Hip Hop holds out in the face of assimilation. Hip hop refuses to trot out the black faces we see in mainstream. Hip hop does not give us black characters dressed up as parables of white middle class guilt. Hip hop does not give us black images designed to crossover to black and white audiences. Hip Hop keeps it real.