Some reviewers think the film is gratuitously violent. But Thermopylae was
no picnic. Almost all the Spartans and Thespians were killed, along with
hundreds from other Greek contingents. Some of the film's most graphic
killing - such as Persians being pushed over the cliff into the sea -
derives from the text of Herodotus. And the filmmakers omitted the
mutilation of King Leonidas, whose head Xerxes ordered impaled on a stake.
Finally, some have suggested that "300" is juvenile in its black-and-white
depiction - and glorification - of free Greeks versus imperious Persians.
The film has actually been banned in Iran as hurtful American propaganda, as
the theocracy suddenly is reclaiming its "infidel" ancient past.
But that good/bad contrast comes not from the director or Frank Miller, but
is based on accounts from the Greeks themselves, who saw their own society
as antithetical to the monarchy of imperial Persia.
True, 2,500 years ago, almost every society in the ancient Mediterranean
world had slaves. And all relegated women to a relatively inferior position.
Sparta turned the entire region of Messenia into a dependent serf state.
But in the Greek polis alone, there were elected governments, ranging from
the constitutional oligarchy at Sparta to much broader-based voting in
states like Athens and Thespiae.
Most importantly, only in Greece was there a constant tradition of
unfettered expression and self-criticism. Aristophanes, Sophocles and Plato
questioned the subordinate position of women. Alcidamas lamented the notion
of slavery.
Such openness was found nowhere else in the ancient Mediterranean world.
That freedom of expression explains why we rightly consider the ancient
Greeks as the founders of our present Western civilization - and, as
millions of moviegoers seem to sense, far more like us than the enemy who
ultimately failed to conquer them. |