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Wednesday, January 24, 2007
Jonah Goldberg :: Townhall.com Columnist
Child's Play
by Jonah Goldberg
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In her first appearance as a presidential candidate, Hillary Clinton spoke at a community center while holding the hand of small child. Nancy Pelosi has said that when she took the Speaker's gavel, she took it "from the hands of the special interests and (put it) into the hands of America's children." Sen. Barbara Boxer recently belittled Secretary of State Condoleezza Rice because Rice doesn't have children and therefore cannot appreciate the full impact of war the way Boxer can.

Of course, there's no draft, and Boxer doesn't have any kids in uniform, nor would they be eligible for a draft if there was one.

But all of that misses the message: Democrats love The Children.

Well, I don't.

In truth, I do love kids. But it's the "the" in The Children that's the problem. It transforms children into a principle for which any violation of limited government is justified.

Marion Wright Edelman, Hillary Clinton's old friend and colleague at the Children's Defense Fund, comes as close as any to being the architect - or, more apt, the mother - of this idea.

The CDF was launched in the early 1970s largely to push for more generous social welfare programs. But Edelman realized that welfare could be a hard sell. "When you talked about poor people or black people, you faced a shrinking audience," she said. "I got the idea that children might be a very effective way to broaden the base for change." The idea was as simple as it was brilliant: By making The Children the beneficiaries of welfare rather than the adults, the left could portray any attempt to curb the welfare state as "anti-child."

Ever since, liberals have argued that disagreements over policy are motivated by cartoonish animus toward kids. For example, when Bill Clinton finally signed Republican-backed welfare reform, the CDF called it an act of "national child abandonment," while Ted Kennedy denounced it as "legislative child abuse." Continued...

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About The Author
Jonah Goldberg is editor-at-large of National Review Online.
 
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Julz
Pamela said:

"In entertainment violence, the context is crucial. DEPICTION of violence is not automatically an ENDORSEMENT of violence. When the young Maya in "I Know Why the Caged Bird Sings" is raped by her mother's boyfriend, it's a cruel and brutal attack which leaves her with psychological scars, but what the reader (and viewer, for this book inspired a TV-movie) is meant to take away from the story is this young girl's strength, her capacity for survival."

Pamela, I don't think Uncle Max goes too far at all.

"Caged Bird" is a book, a memoir written by a grown woman, presumably with the aid of other adult editors, copywriters, and written to adult readers.

"Hound Dog" is a film, in which 12-year old Dakota Fanning's character is raped in one explicit scene and to appear naked or clad only in "underpants" in several other horrifying moments. (www.nydailynews.com)

And as far as non-endorsement goes, how is this, from the previously referenced "The Vagina Monologues" rape scene, NOT endorsement?:

In "The Little Coochie Snorcher that Could", a lesbian encounter between a very young woman (13 originally, 16 in revised versions) and a mature woman uses the line: "If it was rape, it was good rape." This section has been excised from recent performances. Warnings have been issued by the copyright holder that using the line "It was good rape" could lead to legal action. The scene also mentions the older woman giving alcohol to the underaged girl. Many have criticized this for portraying statutory rape by a lesbian in a positive light. (Wikipedia)

Performance is far different from literature, because it involves the added "context" of the performers themselves, often WAY too young to be subjected to these requirements. The treatment of Dakota Fanning was child abuse. So much for liberals' caring for "the children". Which ones?

God sa ve us from the "child advocates"
AudiR10 you really said a mouthful. I saw the interview with the parents who were ejected from the airplane. While a beautiful child, their three-year old acts more like a two year old. As I could see no evidence of a disability that would cause the behavior that was exhbited on the plane, I assume she is just an overindulged spoiled brat. It appears mom and dad don't have a clue about limits for their child, and really hate that the airline does have theirs and enforces them.

We've spent too much money on meals out we didn't enjoy because of children at other tables not keeping their seats, throwing tantrums, etc. I can honestly say our children didn't get away with that when they were small. Our go-by is that we actually had people drop by our table in restaurants thanking us for having such well-behaved children. The sad part is that when I was young, well-behaved children were the norm, not the exception.

My first sister and I were born before Dr. Spock began expounding on the right way to raise children. My second and third sisters were born a few years later after Dr. Spock. My mother decided his way was the way to go. The proof is in the pudding as they say. The lack of discipline manifested itself the rest of their lives.

I made up my mind a long time ago that society was not raising my children, my husband and I were. We done good, but it was tough. Not buying into the Secular Progressive theory of raising children lost us a lot of friends when they decided the S-P way was the path of least resistance and brooked less argument from their children. They told us to get on board with the new way of raising kids. Today many of them wish they had followed our example.

No, it does not take a village to raise children, only mature, loving, attentive, responsive and disciplined parents. Something we have way too few of today.

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