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Within the Manhattan-Beltway media machine there was utter cluelessness as to opinion about Kerry's statement, Kerry's refusal to apologize, and then Kerry's non-apology apology, a cluelessness so profound as to be easily mistaken for contempt.
No other group would be treated with such casual disregard than the American military. They were the target of the barb, but their opinions about it and the man who hurled it were not consulted, and indeed, positively avoided. Much more important in the eyes of the MSM is what elite pundits and prestige reporters thought of what Kerry said and what Kerry did.
Why were so many so eager to defend Kerry instead of the troops?
A handful of Democrats instantly understood that Kerry had crossed an unacceptable line, though many including Pennsylvania's Bob Casey and Ohio's Sherrod Brown rushed to defend their patron as opposed to the military they soon hope to represent.
In MSM, there were almost no voices willing to recognize the slander and demand an apology.
New media moved to make sure the military's view was heard, but it was the military itself that ultimately settled the issue.
One picture --now a famous picture-- utterly routed the MSM. It did so because it came from the military that had heard and understood what Kerry had said, and what he had not apologized for. Whether or not the old media carries the picture on front pages today (which would have been an obvious decision in any newsroom not deeply biased against the military and in favor of Democrats) most Americans will have seen it and laughed and laughed at John Kerry. Ridicule is the best revenge, and the troops have it.
But the American electorate also has a very clear example of how the media has been covering the war, the 2006 campaign, and, yes, the military for the past few years. The big MSM names want another Vietnam, and they pursue that storyline with a relentlessness that isn't deterred even by plummeting circulation and declining viewership.
It is surpassingly strange to watch an industry will its own destruction. But stranger still if the culture within which it lives does not object to the design. |