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Thursday, March 01, 2007
Cliff May :: Townhall.com Columnist
Hollywood Shuffle
by Cliff May
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How curious that at the Academy Awards ceremony last weekend not a word was said about the terrorist movements dedicated to the destruction of the West.

Hollywood stars and moguls don’t appear to fully grasp that such groups as al-Qaeda and such regimes as that ruling Iran not only hate Republicans, evangelicals and Richard Perle. They also hope to suppress artistic freedom, impose second-class status on women, and stone to death those with unconventional sexual orientations.

Should that really be of less of concern to Hollywood than global warming?

Movies are made to entertain and turn a profit, but they can shape public opinion as well. Some film-makers aim to advance an ideology. Think what Sergei Eisenstein did for Soviet communism, or what Leni Riefenstahl did for the Nazis. (Michael Moore is not in their league, though he may aspire to be.)

At the Academy Awards presentation 40 years ago, The Battle of Algiers was nominated for Best Foreign Language Film. It already had won several prestigious awards in Europe. In recent years, its relevance to the conflicts being fought in Iraq and Afghanistan has brought about something of a revival. It has even been screened at the Pentagon.

If you watched this year’s Oscars, you saw, in a montage of recently departed cinema greats, a photo of Gillo Pontecorvo, the director of The Battle of Algiers, who died last year at 87. An Italian-born former Communist, Pontecorvo was commissioned to make the movie by veterans of Algeria’s struggle for independence from France. To tell their story, Pontecorvo focused on a battle the French won in 1957, in a war the French would lose in 1962.

The film makes a strong case that terrorism is a legitimate weapon when wielded in pursuit of a just cause. The film leaves no doubt regarding who has a just cause: The Algerians want their freedom. The French want to occupy Algeria, to rule and exploit its Muslim population.

At one point in the film, a French journalist asks the revolutionary leader, Ben M’Hidi, about his terrorist tactics: “Don't you think it's a bit cowardly to use women's baskets and handbags to carry explosive devices that kill so many innocent people?” Continued...

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About The Author

Clifford D. May is the President of the Foundation for the Defense of Democracies.

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Hollywood
I see a similarity with the Jews in Europe in 1940 and the Jews of Hollywood today. They ignore leaders who call for the destruction of a certain race of people. They defend terrorist speech as harmless banter. It wasn't until they were marching toward the gas chambers that they actually figured it out. When a mad man says he wants to eliminate you as a people you should believe it. Has history taught you nothing?
P.S. I, unlike Marlon Brando, I will not apologize for saying that the Jews run Hollywood.

waking up the West
This gets to the general question of what would finally make the Islamist threat clear to even the most Kumbaya-singing one-world liberal.

No act of violence by Islamist terrorists can do this, because of the moral relativism accompanying the issue of violence. Even if terrorists kill thousands of Westerners, the Left will say "Well, what about the 80,000 people the U.S. killed by atom-bombing Hiroshima?"

What it will take to finally wake up the West, even the Left, will be the reality of an Islamist takeover of a formerly Western democracy. And that day isn't more than 20 years away.

The day that Hollywood liberals and other liberals see their once-admired France become the Islamic Republic of France, with the Louvre trashed, the Prophet's flag flying over the Eiffel Tower and French women being lashed for any sign of independence, is the day the West will finally wake up.
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