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Friday, September 15, 2006
Brent Bozell :: Townhall.com Columnist
NBC's "crazy christians" show
by Brent Bozell
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Maybe it's a good thing that television writers don't try too hard to get involved with plots about religion. The thoroughly secular TV world seems to tolerate about one seriously religiously themed series at a time. It's much more common to engage the topic of religion as an odd joke, as an intensely greedy racket of quacks or as the inspiration for a flock of oppressive mind-numbed zombies out to ruin everyone's guilty pleasures. Usually, they're simply "crazy Christians."

That's the central plot twist in the premiere of the new NBC drama "Studio 60 on the Sunset Strip," created by "West Wing" producer-writer Aaron Sorkin. The show goes behind the scenes of a fictional sketch-comedy program resembling "Saturday Night Live" at a fictional network called UBS. The censors at UBS have scratched a skit titled "Crazy Christians," and now all hell will break loose. We're never shown the skit, but we're told repeatedly that it's demonstrably hilarious.

Sorkin uses his first script to throw sharp knives and rusty razors at the Americans who've lobbied for less filthy television. The show begins with an improbable "standards and practices" censor telling the producer of the fictional "SNL" that he can't run "Crazy Christians" because "what do you want me to say to the 50 million people who are gonna go out of their minds as soon as it airs?" The producer cracks wise: "Well, first of all, you can tell 'em we average 9 million households, so at least 41 million of them are full of crap. Second, you can tell 'em that living where there's free speech means sometimes you're gonna get offended."

But Hollywood writers know that in a free-speech society, people are free to denounce Hollywood's shows when they are vile and disgusting. There's also a remarkable double standard at work here. While denouncing the free-speech rights of "crazy Christians," Hollywood exercises its own restrictions, zealously avoiding on camera the many social taboos -- smoking cigarettes, say -- to which it subscribes.

What Hollywood likes is having the almighty power to offend -- to "challenge" society, as they like to describe it -- freely. But only some people are sought out for offending. For every supposedly crazy parent who worries about sex, violence and smutty talk on TV, perhaps there's another supposedly crazy parent who worries about different offenses, such as Twinkie commercials or scenes with cool, beautiful people smoking cigarettes. But those parents don't get mocked by scriptwriters. It is those with religious objections who get singled out.

But Sorkin wasn't done lecturing. When his skit is axed, the outraged fictional "SNL" producer bounds onto the stage and unleashes a lecture on live television. It's what Sorkin has probably wanted to say about network executives (and their alleged overreaction to those crazy Christians) many times: "The two things that make them scared gutless are the FCC and every psycho religious cult that gets positively horny at the very mention of a boycott." Sorkin was so impressed with his own insult that it reruns later in the show in fictional news clips.

Two major characters fight over how their romance broke up when the woman sang hymns on "The 700 Club." Again, Sorkin aims low, insisting Pat Robertson is a vicious racist. "You put on a dress and sang for a bigot." When the woman replies that the faithful audience of the show inspires her, he cracks, "Throw in the Halloween costumes and you got yourself a Klan rally."

Sorkin actually pushed a similar plot for the first episode of "The West Wing," in which lovable liberal President Josiah Bartlet instructed a clueless, caricatured Christian evangelist who didn't know the order of the Ten Commandments and then unloaded a long sermon on vicious Christian pro-lifers threatening his 12-year-old granddaughter. He told the conservative Christians to get their fat (bottoms) out of his White House.

Maybe cursing out the Christians is his show-opening good luck charm.

While Sorkin has an obvious problem with Christianity, it's actually broader than that. He thinks religion in general is bunk. In 2002, he told a crowd at the Sinai Temple in Los Angeles that "I was turned off on religion." The rabbi interviewing him asked him if he believed in God. He said he viewed the wide array of religions as "many fairytales" that "seem hardly to be doing what they intended." For Sorkin, spirituality was "a meditative thing that has to do with helping others and not waiting for it to come from a divine source."

What this means is Sorkin -- and all the Sorkins in Hollywood -- are probably never going to write a daring, potentially offensive script with the concept of mocking "crazy atheists." Instead, in our upside-down popular culture, the unbeliever is the sacred cow.

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About The Author
Founder and President of the Media Research Center, Brent Bozell runs the largest media watchdog organization in America.
 
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©Creators Syndicate
A little late
Always late to the party, but still willing to share.

I'm sure I'm going to find myself in the minority here. I find the show funny as h#ll and yes, I've been a Christian most of my life.

If you've followed the show, you would have experienced a couple things. First, the Christian character on the show is open about her faith. She talks about being (not been raised) a Southern Baptist and working in a very secular setting. She adheres to her faith and admits she isn't perfect. She sees herself as a light and speaks often to her coworkers about her beliefs; at times, she gets a little condemning (but don't we all know that person?) but refuses to isolate herself. Also, you would have seen a sketch that skewered the beliefs of Christians, Orthodox Jews, Mulsims, atheists, and secularists on the origin of the species.

The point of the ficticious late-night sketch comedy show, regarding religion and politics, is don't hold anything back. Play fair to all. We have the freedom here to voice our opinions and play on stereotypes and most people know what is real and what isn't. When we as Christians start holding to those stereotypes, lashing back and spewing hateful rhetoric which negates John 3:17, and start hiding behind our leather-bound redletter King James phonebooks, that is when we have failed our G-d.

I'm not saying you have to watch it. If you don't like it, that's fine. Turn it off. Shake the dust from your sandals and move on.

I've learned the finer points of satire and not taking every little jab against my faith to heart. There's a reason we're the religion of choice. We are a majority by name only, IMHO. There are many that check "christian" off on their survey because they attend church on Sundays but this only affects their schedule, not their lifestyle.

I know many who fit the "crazy Christian" type and are rather immature in their faith. Every little ripple ends up in a tantrum or call for assassination of the enemy or whining to G-d about "whhyyyyyy?" And then there are those who take it with a grain of salt and say "Something is wrong and it is up to us to change it."

But for the grace of G-d go I.

Sorkin World
For starters, lets get our facts straight. The network in Studio 60 is NBS, not UBS (I know it's minor, but "He that is faithful in that which is least is faithful also in much"). With that out of the way, let me start by saying that I have seen every episode of Studio 60 and, while I agree that many of the characters on the show spew venom at Christians and Christianity in general, I think it's important to remember that this is a show by liberal Hollywood about liberal Hollywood. What are the liberal anti-religious writers and producers on the show to say about us on the show, other than the same things they say about us in real life. In that respect, I think that the show is very true to life. I also think that Sorkin's portrayal of Harriet (modeled after his ex-girlfriend and self-described 'liberal Christian' Kristin Chenoweth - http://www.britain.tv/wikipedia.php?title=Kristin_Chenoweth) is a serious portrayal of the types of issues and crises of conscience that one would expect to find in a Christian working in Hollywood. Harriet is not the usual bible-thumping, halleluiah-shouting, this-far-from-a-cross-burning Christian caricature that we usually get from Hollywood. The episode where she explains how she developed her faith because of her devout mother and in spite of her unbelieving father is both touching and reminiscent of the types of testimonies often given in church or bible study.

I agree that Sorkin is a leftie and definitely has some anti-Christian and anti-religious leanings (boy, can he write dialogue though), but in his portrayal of Harriet on Studio 60 he shows that he not only knows what Christians are really like but that he is also willing to let others see them that way as well.
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