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The new movie “Avatar” is visually stunning, dramatically compelling and substantively inane. Writer-director James Cameron expresses the usual politically correct prejudices of the Hollywood establishment, treating the U.S. military as brutal and corrupt while a primitive society victimized by our soldiers, and by the greedy corporation they serve, comes across as noble, nature-loving and spiritually pure. For Cameron, the childlike, ten-feet-tall blue aliens constitute a higher form of existence; he clearly sides with them when they defend their unspoiled planet, taking on the high-tech American weaponry with arrows, spears, feathers and war paint. It’s “Dances With Wolves” in outer space, with Iraq war references like “shock and awe” in the dialogue. As the most expensive movie ever made, and a visionary technological breakthrough, “Avatar,” like its main character, shows only contempt for the advanced, wealthy society that produced it.
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